She is of Dublin and Chennai and is a member of Dublin Writers’ Forum and Airfield Writers. She was brief listed for the Patrick Kavanagh Poetry Award 2012. She received the Leitrim Guardian Literary Award in 2003 and 2011 for her poems and has been quick-listed for the Scottish Open International Poetry Award. She is the recipient of the Patrick Kavanagh Award for Poetry, the Ireland Chair of Poetry Bursary, an Academy of American Poets Award and multiple bursaries in literature and movie from An Chomhairle Ealoine/The Arts Council. Her poetry movie, The Polish Language, co-directed with Orla Mc Hardy, has screened in competition in over 30 film festivals worldwide and garnered numerous awards including an IFTA nomination.
She is a protracted-time performer at poetry events round Dublin such as Lemme Talk and Come Rhyme With Me, and was more recently involved in the Science Gallery’s INTIMACY exhibition. She is at present a PhD candidate at Trinity College Dublin researching translated literature and placelessness, more specifically in the case of authors who self-translate. Her work explores the absurdity that arises from losses in translation, even when interacting in one’s native language. She is fascinated within the impact of sudden sincerity afforded by quick, snapshot-like poems. Jess Mc Kinney is a queer feminist poet, essayist and English Studies graduate of UCD.
Nuala lives in County Galway with her husband and three kids. Laura Daly is a poet, author and instructor born and raised in Dublin, now living in Amsterdam together with her husband and daughter.
She holds a BA in English Literature, an MA in Gender and Writing and a Postgraduate Diploma in Education from University College Dublin. She also received her MEd in Leadership and Management in Education from Trinity College Dublin. Her ardour is feminism and exploring and making seen the female expertise via her writing. She is working towards her first collection of poetry in addition to a feminist non-fiction book for teenage girls titled Welcome to the Desert of the Real. Linda Ibbotson was born in Sheffield, England, lived in Switzerland and Germany and travelled extensively before lastly settling in County Cork, S. Ireland in 1995. A poet, artist and photographer her work has been revealed in various international journals together with Levure Litteraire, The Enchanting Verses Literary Review, Iodine, Irish Examiner, Asian Signature, Live Encounters, Fekt and California Quarterly. Linda was also invited to read at the Abroad Writers Conference, Lismore Castle, Co.
In the 1970s, the second wave marked a critical period of radicalism and consolidation, with important gains on problems with violence in opposition to girls and ladies’s reproductive rights. The Nineteen Eighties, in contrast, had been a period of social conservatism, high unemployment and emigration, marked by a major backlash against features made by ladies’s rights advocates, together with constitutional bans on divorce and abortion. Mary Robinson is most famous for being the seventh President of Ireland and the primary woman ever to carry the office within the history of the country. Cork, Ireland.”. Card No. 401 revealed by Penman and printed by Mount Salus Press Ltd. Caption reads, “A West Cork Cloak, on the 18th century Alms Houses. Elaine Farrell is a Senior Lecturer in Irish Social History at Queen’s University Belfast, UK. Her research and publications have targeted on gender and crime within the nineteenth and early twentieth centuries. She is currently engaged on the AHRC-funded ‘Bad Bridget’ project, a research of criminal and deviant Irish girls in North America, . This e-book was originally published as a particular issue of Women’s History Review.
About Irish Girls
Donegal, she is now living and dealing in Dublin metropolis, Ireland. Her writing is informed by themes such as sexuality, reminiscence, nature, relationships, gender, psychological health and independence. Often visually impressed, she seeks to marry pictorial parts ireland women alongside written word. Her work has been previously revealed in A New Ulster, Impossible Archetype, HeadStuff, In Place, Hunt & Gather, Three fates, and a number of other other native zines.
Siobhán has published extensively on gender equality, asylum and refugee regulation, migrant rights, human trafficking, and forced labour. This book was a great quick overview of some very interesting stories of historic girls. I favored the span of categories of stories and the historic timeline. A various, vivid and entertaining compilation of brief introductions to fascinating personalities in Irish history. The construction of the e-book was a bit confusing, and some of the descriptions appeared quite subjective (i.e. the author sometimes seemed to deem the individual “good” or “bad” based on her personal liking, and made all types of assumptions quite freely). Nevertheless, the book was an easy learn, and launched many characters previously unknown to me.
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Mary Kenny, the colourful insurgent who blew up condoms like balloons on the practice from Belfast, subsequently turned her back on feminism to turn into a right-wing Catholic. The conservative Nuala Fennell, on the other hand, after wagging a finger on the IWLM in her public ‘resignation’ letter, went on to discovered the family regulation reform group AIM and Women’s Aid. Stopper goes on to explain the energetic Late Late Show on which Mairin Johnston and Nell McCafferty appeared, and the packed public assembly within the Mansion House a month later.
Lady Heath’s life was a whirlwind of achievement from early on. Before her exploits within the air, she was an ambulance driver in WW1 and blazed a trail as an athlete, setting world records in javelin and high bounce and representing the UK at both the Olympics and World Games. She even wrote a bestselling guide for aspiring athletes in 1925.
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Remarkably, austerity’s disproportionally unfavorable influence on gender equality coexists with comparatively strong feminist political efforts, including energetic protests towards the recession’s consequences for gender fairness. Ireland’s lengthy history of patriarchy is matched by the continued evolution of its women’s movements. Today’s advanced, transnational feminism finds its precursor within the colonial period. The first wave of the Irish women’s movement dates from the mid-nineteenth century, with the franchise secured for girls in 1918 whereas nonetheless under British colonial rule. First-wave feminists played a job within the nationalist motion, but their calls for have been sidelined later, through the development of a conservative Catholic publish-colonial Irish state.